Showing posts with label Gay for Justice. Show all posts
Showing posts with label Gay for Justice. Show all posts

Friday, February 23, 2018

Into The Forest I Go

** (2 stars out of 5)

Shall we hug plants with Saru or have a drawn-out bloody brawl? Well, continuing to take our cues from Battlestar Galactica, Admiral Cornwell has NOT had her throat slit Baltar-Style or been killed by L'Rell's bug zapper. Nope, still alive!

"Klingons" have the weird abilty not to notice that L’Rell & Cornwell aren't corpses when dumped in the corpse room. (Yes, of course, "Klingons" have a Corpse Room. Maybe it's a larder?) Where's their sense of smell? What are the four nostrils for? Or, failing that, where are their life signs scanners?

The clueless and quickly ignored Pahvans have called both Starfleet & Kalesh's Finest to Pahvo trying to talk peace without the strength to back it up. Our heroes are all that can save them and supply us with enough space explosions to get us through the next 8 weeks until episode 10.

Captain Lorca talks Stamets into a fiendishly complex series of 133 mushroom jumps to get location data on their opponents. It taxes Paul to the utmost and leads to an explosive victory and a strange reversal.

“When I took command of this vessel, you were a crew of polite scientists” speechifies Lorca. Not quite following it up with 'Today, you’re a bunch of self-serving assholes and I couldn’t be prouder!'

Because her track record with the enemy is the best, Michael Burnham is the only one sent to sneak aboard the Big Bad Corpse Ship. I mean, Ash the very trustworthy Chief of Security tags along, but he freezes up immediately, so Michael is mainly responsible for recovering the Admiral and L'Rell. Also a sword fight. As usual, there is nothing Michael Burnham cannot do. But as Dylan Hunt could tell us, you aren't the Gary Stu if it's your story. (Your enjoyment may vary, my limited research suggests this is a well-regarded episode.)

25 minutes into all this Michael’s universal translator proves “human ingenuity” by saying the Klingon version of “human ingenuity” several seconds before SHE does! Autocorrect has gotten positively telepathic!

Ash’s PTSD flashbacks are a strobing intercut of being flayed alive & a questionable coitus scene cribbed from Species.

Having broken a Star Trek barrier earlier this season with an F bomb, we are treated to the first (official) on screen Star Trek gay male kiss for Stamets and Culber. Only twenty-five years too late to be ground-breaking anywhere else. Also Trek's first female nipples, maybe. It's yet another moment when NuKlingon prosthetics & jarring tone get in the way of any possible enjoyment. Without upcoming context, some even claim L'Rell is raping Ash, and they still might be right for all I know. Even IN context, grotesque is not a sufficient word.

At least the dudes kissing was pleasant!

Friday, September 6, 2013

Blood and Fire

**** (4 stars out of 5)
Episodes 4 & 5 of Star Trek Phase II were written and directed by David "The Tribbles Guy" Gerrold, and dedicated to Trek First Lady Majel.

Pitched battle is joined with the Klingons, and I imagine even the dead must appreciate how good the special effects are! "Fontana, go heal somethin'," snarls overworked McCoy.

Ensign Peter Kirk and Lt. Alex Freeman are engaged to be married. Overprotective Captain Kirk is taken off guard to hear it, but agrees to perform the ceremony... and to let his green nephew serve on a dangerous rescue mission in the same day.

"Relax, Jim," McCoy "soothes". "We don't put bulls-eyes on the red shirts anymore."

Starship Copernicus is in distress, intentionally on course for destruction in a plasma streamer between the stars Lear and Iago. The crew has been gruesomely killed by swarms of Regulan bloodworms. Starfleet Command orders the infected vessel destroyed... with the landing party still aboard.

Regulan bloodworm swarms are the anti-tribble. Unstoppable, immune to phasers, and burning through walls like tiny horrible Hortas. Their rapid skeletonization of Hodell from the feet up forces Peter to disintegrate the man to stop his suffering. The unsettling doctors Jenna N. Yar (Denise Crosby as Natasha's grandma) and Blodgett hope to harness the creatures for nefarious purposes. Like Burke in Aliens, you have to wonder what they'd do once they HAD them. Millions of tiny "Bloodworms Rock" T-Shirts?

Who will live and who will die? What is the secret of the worm?

If "canonical" Star Trek ever gets around to depicting "gay" as "normal" they will have to look back (at least) with an acknowledgement to "Blood and Fire"; a script from the '80s, modified for the noughties, that turns out COULD be made well without anyone's heads literally exploding. This is the Kirk I can really respect- a man who respects love in all forms.

Friday, August 2, 2013

Harbinger

**** (4 stars out of 5)
Trip is putting his Vulcan neuro-pressure massage to good use on MACO Corporal Amanda "Hugginkiss" Cole, a fellow Floridian, prompting T'Pol to come... to the rescue. The Vulcan? I guess? delivers (depending on your original viewing region) the ass-crack equivalent of side-boob.

Speaking of asses, Reed doesn't love the way Hayes' soldiers beat on trainees (and since Reed co-opted the bridge crew to be his fighting force, maybe he doesn't HAVE any trainees.) Or maybe he's just worried that Hayes is after his job?

Enterprise is en route to the weapon location they dirty-tricked out of Degra when they come upon a vile jelly made of anomalies. They tow a poor slob out of it... sorry, I meant to say poor SLOP. I don't know what he looked like before he went in, but this Coal Mine Canary was put there on purpose, recruited out of some terrible trans-dimensional prison. Still, I don't think it was a step UP to look like a dried up cantaloupe. Make-over!

T'Pol throws herself at Trip, Reed throws himself at Hayes, the Not-a-Suliban throws himself at the warp reactor. Only one of those looked like any fun, but to each their own.

"Harbinger" reminds us that it's only a love triangle if someone is actually, you know, in love. Trip's mad with grief. T'Pol is "experimenting". And Cole is seizing the... day.
Maybe the case could be made for Reed and Hayes- if the only way to express their love is bile-filled loathing and beating each other like uppity rent boys.