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Pressed for her opinion, T'Pol overlooks the many medical inaccuracies, declares Frankenstein's creation "interesting", and says she's looking forward to Bride of Frankenstein. Hard to believe, I know, but making T'Pol a film critic finally made it possible for me to start to like her. She's even eating popcorn with her hands, something she previously claimed Vulcans do not do. Either this is a symptom of her meld-gone-wrong, or she's degenerating into some sort of slovenly human.
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Enterprise has travelled 150 light years, seen 22 inhabited worlds, and done its best to fulfill all of Travis' childhood dreams... but he had to leave his family behind.
Every starship has a gravity-free "Sweet Spot" and even the slumpy-est of TV seasons has one, too. We're floating towards the sweet spot now, I think. Those few, lonely stories that keep me from giving up on this troubled series. I like the way the crew hangs out together, growing closer in little ways, but mainly getting on each other's nerves. Like a family! The fatherly support Archer offers Travis is actually rather touching. Travis is still a blank slate, but maybe that sometimes makes it easier to put yourself in his shoes. Sometimes.
"Horizon" even has a cameo appearance by the book on Chicago Gangs that mangled the culture on Sigma Iota II. And, hey, I don't often comment on music, but this score was pretty great. I also enjoyed Mark McKenzie's tunes in Star Trek Generations, Lilo and Stitch, and Spider-Man 2, among other things.
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