
When vigilant Papa Sisko runs Mrs. Robinson off with a phaser, she confesses to "inspiring" many brilliant artists of the past: Keats, Tarbolde, Catullus, and presumably the writing staff of the cartoon Thundercats. She shakes her incorporeal fist and flies off to see how many more seasons she can possibly wring out of that tired old Star Trek writing staff. Hey-yo!

Lwaxana's miserable mood is contagious, everyone in Quark's is sad all around her. She has lost her parents and a sister, her husband and her firstborn child, and she's not going to lose another one if she can help it. Odo offers to win the child back for Ambassador Troi with a sham wedding... but it's all over if the shifter can't convince the previous husband of his honest intentions.
"The Muse" is a sorry A-story if ever there was one. I wanted to give it one measly little star. But the Lwaxana-Odo bits are pretty good, and didn't deserve to be lumped in. You gotta give props to Michael Ansara: he's more threatening as a posturing chauvinist than the thousands-year old talent-sucker who's supposedly the Big Bad. It's Lwaxana's on-screen swan song, and she probably deserved better than playing second fiddle to some writer's onanistic magic groupie fantasy.
No comments:
Post a Comment